Jamie Brook plays Buttons in "Cinderella" at Guildford's Yvonne Arnaud theatre this Christmas. Fri 6th December running until Sun 12th January 2014.
Sunday, 29 December 2013
Santa Comes Early in Pantoland
Balls, Boobs and a Bothersome Bench
There are but very few men clever enough to know all the mischief they do. {Francois de La Rochefoucauld}
We seem to have had our fair share of mishaps and naughtiness going on the past few days, with all sorts of things happening when they shouldn't and one or two of the more senior actors (and me) running amuck.
Our first faux pas I shall mention, is the usually so innocent Alice Baker (Cinders) using a rather unfortunate choice of words, when trying to usher the Uglies out of the auditorium she called to the audience,
"Go on, tell 'em where to go!"
"I beg your pardon Cinders!?" I asked in shock. Poor Alice hadn't realised what she'd said, but it made me chuckle, and her blush!
Now there are times in Panto where things are made to look accidental or appear that they have happened for the first time. It usually happens naturally for the first time and then evolves with the run. A classic example being the sisters mocking my accent. These moments often result in a 'false corpse' where an actor seemingly laughs out of character... Although they have probably laughed in the same place 47 times previously.
Another example, but one that doesn't happen every night, and has a lot to do with whether I can catch him out, and/or whether he is willing, is where PG or peachy falls off the bench in the ghost gag. The legs are positioned so that if the person on either end is the last person to stand the bench will tip. If I can catch him out PG ends up rolling around the floor, allowing me a lovely line "well we didn't do it like this in rehearsals!"
You may notice a bit of a theme running with these mishaps... Two actually. The ghost gag and... Peter Gordon! Skip ahead a show or two and we find ourselves in the same spot, PG's rolling around. I went to help him up as I normally would, not noticing that he had already got to his feet. What ensued was a pair of perfectly placed hands, upon Peachy's ample breast. "Excuse me!" PG called through laughter, as I shook and blew my hands towards the audience, stating that I thought "my luck had changed!"
And it would turn out my luck was changing, for better or worse you can decide. Maybe it was the festivities in the air, maybe one or two too many sherries had been sunk the night before or maybe they just couldn't (and who could blame them) resist, but over the weekend a particular area of my anatomy, below the waist but above the knee, has been fondled by a member or three of the cast!!
First of all our confirmed reoffender, Peachy!! We had, unusually for us, found ourselves on the bench yet again in a fit of giggles. PG puts his hands out to my knees, as is set in the handclap routine. Unfortunately for him, I had found myself a little further forward on the bench, and so instead of a gentle slap on my right knee, he found the aforementioned region. "Oh I say missus!!! Keep your hands to yourself!" Thankfully what had happened came across to the audience and they were able to share in Peachy's cheap thrill.
Next it was the turn of our Baron, Robert, who had a bit of a shock when, putting his hand to his side, as he does every show, for a reassuring grasp on Buttons' arm upon the arrival of the Royal Prince... Suddenly found himself in the possession of some Crown Jewels of his own!! Off stage and through a cheeky giggle Rob asked, "did I shake grab you by the ....." Let's say 'bull hooks' for the sake of keeping this Cert.PG!!
Could Buttons take anymore of this cast caressingI hear you cry!! Well only one way to find out... Me and Cinders are upstage, looking on disapprovingly at the sisters torturing the Baron! when she too looked to Buttons for comfort. Cue an even bigger blush from Cinders and an "excuse me Cinders - mind your hands!" All in all and "uplifting" couple of shows!
In other news: I'd been saying to Sandy and a few people at the theatre, that it was a good job this winter has been quite mild so far... With the amount of rain we've been having, a few degrees colder and we'd have been buried. The ran has been so heavy, that as I was standing by prompt corner at the Sunday matinee, waiting for an entrance, I noticed a drop of water splash onto the pit monitor. "What was that!?" - no one seemed flustered, I don't think anyone believed me, until I showed them the back of a now wet screen. By the evening show a special "Vicky Jukes Prompt Pod" had been fashioned from some tall polls and some plastic sheeting. Suffice to say I think poor Vicky got a bit hot and steamy, wrapped up like last nights left overs!!
For now, so long,
JB - BB
Saturday, 28 December 2013
Wednesday, 18 December 2013
Let's Get Quizzical!!!
Thursday, 12 December 2013
A'crew'ing New Friends in Pantoland.
The Panto Begins to Settle - Unlike our Stomachs.
"Every single night I'm nervous. You never know how the audience is going to react." {Vivienne Leigh}
Oh PG!!! You Just Gotta Love him!
Wednesday, 11 December 2013
Mommy and Daddy Buttons!
Guildford - May We Present.... Our Pantomime!!
AWAB!!! Abscent Without Blogging
Thursday, 28 November 2013
Coughs, Splutters and a Room Full of Nutters.
Rested, Tested and a 'Problem' Manifested!
Company Manager Basics....
Be careful what you admit to "enjoying!"
Tuesday, 26 November 2013
"Lights, Camera, CHRISTMAS!"
Singing, Dancing and a whole lot'a Romancing.
Wednesday, 20 November 2013
"Just a Spoon Full of Courage, Helps Rehearsals Go Down....."
Believe in yourself! Have faith in your abilities! Without a humble but reasonable confidence in your own powers you cannot be successful or happy. {Norman Vincent Peale}
WED 20th: After yesterday's little shake of confidence, and writing about it in last nights blog, I stumbled upon a friends article on Twitter about five things actors have to realise if they want to be successful. There was one point that was very relevant to me... "If you don't have confidence in yourself, how can the (casting) director have faith in you?" Good question and I suppose the same goes for your fellow cast members. It also mentioned just saying "bugger it!" Have a go with gusto, try it out - that is of course what a rehearsal is for.
So today, I bloody went gung-ho! No singing quietly with embarrassment, just jump in and see how it goes! And y'know... It was fine. And liberating!! (How stage schooly does that sound?!") To be able to just concentrate on your actions and movement is much more fun and leads to a lot more comedy than shying away from the lyric. So thankfully - that phase of rehearsal is over! Everyone has heard me sing and we are free to crack on with having some fun with it.
Of course this whole situation is helped by having such a smashing MD! Anthony England is a gentleman and a scholar. He is a joy to talk too out of rehearsals, always helpful and eager to help and is so musically funny. Only three days in and already he's adding little bits of incidental music, which always raise a smile from me and a nod of approvement. Oh to be so musically minded...
We learnt two new numbers I'm involved with today and got to sing through my section of the opener umpteen times, as Jill rehearsed the babes! which was fantastic for me. "Sorry Jamie, we'll get to you in a minute!" 'You carry on Jill' I thought.... Gives me a bit of extra practice.
We blocked most of the kitchen scene this afternoon, which is another big scene, and everyone seemed to like mine and Cinders kitchen scene, even though we only quickly stabbed through it. For Panto passionatas, who'll be coming to see you us, you may notice the abscence of one or two standard gags [mentioned in a previous post] but our scene is so cute, pacey and more importantly... A bit different. I'm a stickler for tradition - but I think (hope) that the Guildford audiences will be melted by this bit! We'll see...!
Gerry and Jill have yet again come up with some fantastic choreography for the show. What I've seen so far is brilliant, with credit also to the ensemble for picking it up so quickly! I wondered how they were going to incorporate my section of the opener, but I've had such fun blocking it tonight, myself and the ensemble were in stitches. We've got another call tomorrow to continue with the blocking... I can't wait.
Anyway, I've treated myself to a healthy chicken ceased salad and an as equally unhealthy pint of shandy in spoons tonight... Gets me out of my room and more importantly... Free wi-fi. Thanks spoons!
So for now, ta-ra!! I'm off to cram lines, lyrics and "I'm a celeb!"
JB-BB x
NB: in order to avoid repetition, please scan back to last years blog "The Pongo Diaries" for more about Gerry, Jill and the Arnaud itself - although I'm sure they'll be cropping up more as we go on!
Rehearsals Begin, with doughnuts a plenty!
Wednesday, 13 November 2013
Cinderella - The nations favourite Panto (Part.III)
NB: Obviously everything here, is a general view of the pantomime and is not set in stone. Every production company and theatre have their own ways of presenting the story and every actor has their own way of portraying it!
Our Fairy will usually start us off with a welcome and a heads up as to what a "wonderful girl" our Cinders is. She will usually have a motif or sub theme of her own, for a little added business. The ensemble will usually kick things off, as the front cloth lifts to reveal the village or "outside" Hardup Hall. A common village name is Stoneybroke, referencing the lack of money, although many variations exist.
We are usually introduced to our Heroine, Buttons (the Comic best Pal) and the Baron, before the grand arrival of the uglies. The families situation also varies from production to production but usually the Uglies have either come on ahead of their mother (the Baron's usually engaged) or she has died/left the Baron, who is now lumbered with them. Again Cinders can start either having never met them, so excited about their arrival or already be being treated badly. It's often more preferable to have the former so that Cinders is a little brighter for the opening number.
A common sub-plot set up by Buttons in his intro is his love for Cinders and his inability to tell her. This runs throughout the show, highlighting his devotion to Cinders and often brings comedy through innuendo, jealousy (the Prince) and misjudgement of the situation. Obviously, we all know that Cinderella will end up with the Prince, but we do love a trier!
Throw in a ballet in the woods - keep all the juevenilles parents happy, as their little dears hop around the stage as rabbits, squirrels and birds etc and cue the Prince and Dandini. Here the master/servant switch is established, as Princey yearns for a "simple life" leading to some Shakespearesque comedy with cofused identities. The woods are also where Cinders and Princey meet for the first time and where our Fairy disguises as a beggar woman, prompting an act of kindness from the heroine.
Now I am a massive fan of the slosh scene, but they are, unfortunately appearing less and less in the more mainstream pantomimes. If one is to be present in Cinderella there are a couple of standards often used. One sees Buttons and the Baron, cooking food for the Ball and can involve eggs, flour and custard covering the stage. Another favourite is in the beauty parlour of Hardup Hall, seeing the uglies getting ready for the Ball. Here, huge powder puffs, creams and sprays, become the ammo of sisters eager to outdo the other. The thrid commonly used slosh scene comes from Buttons and the Baron decorating a tattered and tired room or corridor in Hardup hall. this is a physical comedy classic and has been used by all the greats. Rolls of wallpaper, buckets of gloopy wallpaper paste and a ladder lead to chaos, hilarity and two very messy actors!
Before the Ball of course, Cinders ticket needs to be lost or destroyed and good old Buttons attempting to cheer her up. My favourite scene is the dummy ball, where Buttons dresses Cinders up in a table cloth gown, a colander for a tiara and a string of carrots often "9 Carrot". It's all in vain however and Buttons will slip away to bed. Enter the fairy and her shopping list of pumpkin, mice and lizards. A bit of extra magic, supplies us with the transformation scene as Cinders appears in her ball gown before the moment everyone will be anticipating - the arrival of the carriage and horses (usually small ponies). The big companies have used Pegasus the flying horse or flying motorbikes of late - but for me, traditional is best!
We all know about the being "home before 12", running away and losing the slipper, which leads us nicely into the Prince and Dandini touring the land trying to find the owner of the glass slipper. Of course the scheming Uglies both apparently "fit" the shoe, but of course we know its a trick. Expect to see a dummy leg, a long stocking and a reference to "Crystal Palace!" Somewhere they've hidden Cinders away and it'll take all the might of our audience to reveal her location.
Out she pops, the slipper fits and all live happily ever after. The family get money, the Uglies are turned good and Buttons gives his blessing. Just time for the Songsheet before finishing with the wedding (Bows).
JB
Wednesday, 6 November 2013
Tuesday, 5 November 2013
Cinderella - The nations favourite Panto (Part.II)
So we've had the comedy, we've got the princess (to be), our baddies and our Goodie! So what about some eye candy for the mums?! Oh ok then... cue, upstage centre, striding on with cloak and chiseled jaw... our Prince (Charming). The more Disneyesque and capable of making the ladies swoon the better - hence why I don't play the Prince! The Prince is usually seen at the start of the panto confiding to Dandini, his man servant how is father is forcing him to marry, and how the Grand Ball will be held to find a suitor. (We'll talk more about the role of these two in Part three when we discuss the panto itself.) he is the symbol of a better life for our Cinders and offers her the way out we all crave for her - even Button's ends up being happy for them!
And then, last but by no means least - Baron Hardup. Cinders Pop and the fall guy for the families financial woes. Obviously Cinders Dad has passed away in the Disney version, hence her bad treatment. In panto because the role of Dame is taken by the sisters, our parent figure is usually a poor father, who is lumbered with the uglies when "Mommy leaves". There are versions where the baron is replaced by the evil stepmother - but it can be a bit of a Dame overload. The baron is also a good dueling partner for both the uglies and Buttons.
Throw in an ensemble and a team of 30 juves to play our villages and all the other roles and our cast is assembled! Avengers, eat your heart out.
In the final part of this biog we look at what is to be expected in the Cinderella Panto!
JB
Cinderella - The nations favourite Panto (Part.I)
There are a stock of familiar and ever popular stories that you see each year doing the rounds across the UK's theatres. Whether it be Jack and his Beanstalk, Snow White and her seven dwarves or Dick and his Whittington - they are stories that we all know and love. None more so than Cinderella, followed closely by Aladdin. This year Cinders yet again tops the list with 22 professional productions nationwide.
Thursday, 31 October 2013
A sad farewell to a Panto Chum and simply wonderful guy!
If the Arnaud crew are involved....where better to go afterwards than the Brit - frequented by Mr Whelan and the gang on many occasion and after many a fit up/get out. Tears soon turned to laughter as we raised a glass to Chris, shared memories and looked back on old pictures. Chris has been "Sound Op 1" on the Arnaud panto for nine years, this year would have been his tenth - and it's sad to think he won't be there, standing at the back of the auditorium smiling down and gesturing to us! One hell of a hole has been left; thankfully one of Chris' best friends - the equally as legendary Chris Tindall (Sound 2) will be carrying on with the job - the perfect replacement and undoubtedly the person CW would have wanted to take over!
Thursday, 24 October 2013
The British "Panto"loons - An Nation Crazy for Panto!
John Barrowman
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There can't be too many people in the country who don't at least "like" to go to a Pantomime over Christmas, let alone people who have never been to one. Unfortunately these poor, pantoless people do exist, as do the panto snobs out there who will still try and belittle the art form, it's traditions and what it stands for. Thankfully, they are in the minority, and as they sit moaning and groaning about why panto is a waste of time, the rest of the country will be popping on their hats 'n' mittens and heading with the family down to their local theatre full of excitement & festive cheer - or mulled wine as its more commonly known!
It's not just Guildford I'm excited about this year... there are some really exciting productions across the country that I'm really looking forward to seeing...!
First of all we'll venture back to my motherland, the Midlands and the two shows that I'll be seeing post Guildford. The Birmingham Hippodrome, have gone all out with their cast this year and this is one of the two shows I'm looking forward to the most. Snow White and her Dwarf chums hit Brum the week before Christmas, with comic ventriloquist and panto favourite Paul Zerdin (with Sam) as Muddles, John Partridge direct from the West End as the Prince and Stephanie Beacham, being evil once again as the wicked Queen. Add into that mix a pinch of Gok Wan, as the man in the mirror, surely armed with a magazine of fashion related ammo, and Matt Slack as Oddjob and the show is already taking shape. Then we come to what I think is the best bit... Panto stalwart Gary Wilmot, is donning a frock for the first time, and taking on the Dame! I saw Gary at the Hippodrome with Rolf Harris many years ago and thought he was fantastic - I think with his natural likability and charm he's bound to offer a wonderful Dame!
The BH have announced that they won't be using real dwarves for the production, which has again caused a bit of a stir amongst the press. Although they have yet to say how they are going to portray the loveable seven, rumours are they may use the techniques seen in the new "Charlie and the Chocolate Factory" musical... we'll have to wait and see! Their production of Robinson Crusoe starring Brian Connely, along with Lesley Joesph and the rest of the principal cast, have moved down to Southampton this year - are the BH hoping this Snow White will emulate it's success.
A few miles away QDos' successful production of "Sleeping Beauty" with Joe Pasqaule, finally reaches Wolverhampton. This is the fifth year of this production, also featuring Ceri Dupree and Lucy Evans, with venues large enough to hold the production running out, so could this possibly be one of it's last outings, in it's current form? I haven't seen a QDos "Sleeping Beauty", so it will be something fresh for me this year and I can't wait to finally see Joe in panto. I've been a big fan since I was little, and just know that he must be a natural!! Hopefully there will be lots of tit bits for me to absorb.
Moving back down south, I thrilled that we've been gifted an extra day off this year, on the final Friday before the schools break back. It means that I'll be free to the second show I'm most looking forward too, as I'd feared our schedules would clash. The new Wimbledon theatre are known for usually having a good catch of panto celebs, and this year they seem to have excelled themselves.
Jo Brand is making her panto debut as the Genie of the Ring in their production of "Aladdin!". Again, I'm a big fan and think her sarcastic bluntness will work brilliantly as a grumpy Genie. Hopefully I won't be disappointed. She's joined by David Bedella, a West End favourite who's starred in such shows as Rocky Horror and Jerry Springer the Opera. David takes on the role of Abanazer, and with his sharp, devil like features and a fistful of charm for the ladies - he's an inspired choice. I see the banter between master and servant being very sharp... with a few corpses!
Another West End star, Oliver Thornton, who I last saw in "Priscilla" takes on Aladdin - and Flawless from Britains Got talent with be patrolling the streets of Peking as the Chinese police. Now on to the best bit... First Family are bringing a Dame out of retirement this year.... Matthew Kelly is back in a frock to give us his Widow Twankey. I adore Matthew kelly, he was very kind to me a few years back at a function in Guildford, thanking me for me services at the theatre the night before. He was starring as Malvolio in Twelfth Night, and I was supplying the drinks and sustinence. A year later he was visiting a friend in a show, and as I directed him to his seat, he was kind enough to ask how "GSA was going!" How wonderful to be remembered.
I remember he was always playing "Mother Goose" when I was younger, a production I never saw unfortunately, so I'm so excited about seeing his Dame. He has a natural warmth anyway, which I'm sure is why the nation loves him... A Matthew Kelly Dame can surely only be one thing.... LOVELY!
As a footer to this post I wanted to make reference to John Barrowman and The Krankies at the SECC in Glasgow. They've obviously formed a bit of a triple act in recent years, and I hope they venture south of the border again soon! The reason I mention them is for the fantastic renaming of their 'Scottish Panto'.... "Dick McWhittington!" Hillarious and very clever! Also a quick nod to the Lyceum theatre in Crewe where the newly formed Grumbleweeds will be joining Adam Woodyatt in Peter Pan. Unfortunately Graham Walker passed away earlier this year, after losing his battle with cancer. His partner in crime Robin Colvill has decided to carry on under the Grumbleweeds name, with new partner Peter Piper, so although this will obviously be a sad first Christmas for Robin without Graham, good luck to both Robin and Peter moving forward.
Ok - that's given you a few ideas on other pantomimes you could be seeing this season.... as long as you've booked your Arnaud tickets of course!!
For now... so long.
X
Wednesday, 23 October 2013
"Well well rested and ready to be tested!!"
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Just before we left for the southern hemisphere, I was back in Guildford for the panto press launch. It's a trip I never mind making, back into my beloved Guildford and the Yvonne Arnaud. All the familiar and friendly faces there to welcome you and share their excitement for the coming season... and the box of chocs and bottle of fizz are always a welcome sweetener.
First treat of the day for me was meeting up Worth Jamie Attle to see and try on his new "Buttons Creation" - my brilliant bright blue new costume. It's the traditional Buttons garb, with lots of silver buttons and a pill box hat! I have high waisted trousers and a cute pair of which gloves under my epaulets! it looked amazing - another job well done by Jamie A! As for footwear - well it's like slipping into a comfy old pair of shoes.... probably because they are! I'm wearing my Pongo 'Chealsea' boots from last year - Nice to have a bit of the ol' fool with me this year!
As everyone else filtered in, so followed lots of hugs, handshakes and chit-chat, checking in with friends old and new, before heading downstairs for the shoot. "Smile!" "Big Grins Please!" "Hold it there for just one more!" Muscle ache from the prolonged smiles are present on every face, except for our uglies, grimacing and gurning in an array of grotesque poses - "I do hope they don't stick like that!" - too late me thinks!! (Sorry Guys/Gals!)
We were also filmed doing a quick hello for the Arnaud's website and there was a "behind the scenes" video also
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Press launch day is very important to the theatre for obvious reasons. To have the support of local media is the most valuable tool in reaching the theatres public; interviews, photos and competitions will all be common place in the local newspapers over the next couple of months, as we try to drum up support and interest. But I think it is also important for the actors present.
I met Alice Baker and Tom Senior (our Cinders & Prince) for the first time, got reacquainted with Robert Maskell (Baron Hardup) after meeting once at our agents shindig and Will Breckin (Dandini), who was a couple of years below me at GSA. I also got to chat to the lovely Bonnie Langford again, after meeting her at the Arnauds COD two years ago and again after seeing her as the Lady of the lake in Spamalot. So... those introductions have been made - the first steps towards a tight-knit cast have been taken and now when we meet on day one of rehearsals, there will already be a feel a familiarity. Don't get me wrong I'm not expecting to be invited round to Bonnie's for Sunday lunch..... quite yet - but it does mean that when we start rehearsals we can hit the ground running. And it's now less than TWO WEEKS AWAY!